CD, AAC, MP3, Radio

  • Analog: Chandler Curve Bender, Vertigo VSC-2, Dangerous Bax EQ, Smart C1,
    ADT ToolMods 204EQ/208EQ/130mEQ
  • Digital: Forssell MADA2, Crane Song AvocetII, Wavelab 10 Pro
    Weiss DS1-MK3 and Weiss EQ1 (Softube), Brainworx BX v3
  • TC Pwercore MD3 Algorithmus (EQ, Multiband, MS-Matrix),
  • Adjusting levels and frequencies for Hi-Fi and Bluetooth Speakers)
  • Loudness with optimum bass response and enjoyable highs
  • Stem mastering (for example, vocals and music edit separately)
  • PQ editing (ISRC, CD-Text, pauses)
  • High quality pre-master medium + copy, or DDP 2.0 Image
  • Final inspection and Audio CD Report (Ready for the manufacturer)
  • Optional: Mastering for online-stores (iTunes, Spotify, etc.)
  • Paypal accepted, Dropbox Professional
  • Download price list (PDF)


Stereo and Surround 5.1

With premium analog gear and selected plug-ins, I mix the respective tracks in Pro Tools. I attach great importance to a pressureful analog summation with input and output transformers – and to good AD / DA converters. To simulate rooms, halls and plate reverbs, I rely on TC6000 algorithms, and analog effects. Changes to the mix can be done quickly and efficiently.  Until all are satisfied.

  • Outboard: Rascal Analogue Tone Buss 16, 2x SSL 610, API560, Crane Song Trakker, Alan Smart C1, EL Distressor, EL DeEsser, TM109, 2x TM114, TM215b, Echolette, Roland RE-201 Space Echo, Chandler Curve Bender, Vertigo VSC-2
  • Digital: Forssell MADA, Apogee DA 16x, Apogee Rosetta 800, Apogee BigBen, RME HDSPe AES, RME Digiface,
  • Monitoring: Neumann KH310, Avocet II, KRK VXT8, Sony SRS Z1, Bose Soundlink Mini II
  • Controller: Cranesong Avocet IIA
  • DAW: Pro Tools Ultimate, Nuendo 10, Ableton Live 10 Suite


Concerts. Mobile setup.

  • LocationRecordings (halls, spaces, unusual places – worldwide)
  • Production of live albums (bands, solo artists)
  • Mobile recording up to 32 channels (with miking of space and audience)
  • Recording with own preamps and backup system
  • Multi-channel recording for camera teams and broadcasting
  • Post-processing in Pro Tools, and possibly overdubs in the studio
  • Mix, including corrections, editing and mastering
  • Sample:  Super700 Live at Lido Berlin – 2012

Dubbing Productions

Vocals for films and series.

I also process (complete) vocal productions for dubbing companies.

vocal lyrics in German version
direction and vocal coaching (on site)
recording of the songs with the dubbing actors
own pool to prof. singers
cut and pitch correction
final-mixed vocal stems in stereo or 5.1

a few projects:

American Dad (Serie/MTV), Central Park (Serie/Apple TV+), Doug Unplugs (Serie/Apple TV+), Stillwater (Serie/Apple TV+), Waffles&Moci (Serie/Netflix), Let it Snow (Film/Netflix), A Babysitter’s Guide to Monster Hunting (Film/Netflix), Vampires vs. the Bronx (Film/Netflix), Marvel‘s Cloak & Dagger (Serie/Amazon), Detective Pikachu (Kino), Coco (Kino/ Disney), The Mule (Kino)

(photo: FFS Berlin studio 2)